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    [name] => Alexander Apóstol. Postura y geometría en la era de la autocracia tropical/ Alexander Apóstol. Posture and Geometry in the Era of Tropical Autocracy
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    [author] => Apóstol, Alexander, (autor) / Medina Cuauhtémoc, (autor) / Neuhouser, Julianna, (traductora)
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    [description] => Desde 1990, la obra del artista venezolano Alexander Apóstol evidencia los distintos códigos de género, raza e identidad que acompañan a las ideologías de América Latina, incluyendo el imaginario colorido y optimista de la modernización tanto como el catálogo de fantasías corporales y sexualizadas del nacionalismo y el populismo continental. Su obra oscila en torno a la dicotomía de tradiciones visuales de Venezuela. Apoyado en la exterioridad escéptica que le brinda la perspectiva homosexual, el arte de Apóstol muestra la forma coordinada en que la representación artística es cómplice y auxiliar de la producción imaginaria del Estado nación moderno, que depende de la sexualización para dar forma a sus fantasías. La oscilación de estilos históricos del arte regional es también la sucesión de apuestas por usar el deseo y la identidad como aparatos secretos de la dominación. 
                                                                                                                                                                                                                      Since 1990, the work of the Venezuelan artist Alexander Apóstol has revealed the different codes of gender, race and identity that accompany the ideologies of Latin America, incorporating the colorful, optimistic imaginary of modernization as well as the catalog of corporeal, sexualized fantasies of the continent's nationalisms and populisms. His work oscillates between Venezuela's dichotomous traditional visuals. With the help of that skeptical exteriority provided by the homosexual perspective, Apostol's art reveals the coordinated manner in which artistic representation is an accomplice and auxiliary of the modern nation-state's production of the imaginary, which depends on sexualization to give form to its fantasies. The oscillation between historical styles of regional art is also a succession of proposals for using desire and identity as secret mechanisms of domination.
    [short_description] => Desde 1990, la obra del artista venezolano Alexander Apóstol evidencia los distintos códigos de género, raza e identidad que acompañan a las ideologías de América Latina, incluyendo el imaginario colorido y optimista de la modernización tanto como el catálogo de fantasías corporales y sexualizadas del nacionalismo y el populismo continental. Su obra oscila en torno a la dicotomía de tradiciones visuales de Venezuela. Apoyado en la exterioridad escéptica que le brinda la perspectiva homosexual, el arte de Apóstol muestra la forma coordinada en que la representación artística es cómplice y auxiliar de la producción imaginaria del Estado nación moderno, que depende de la sexualización para dar forma a sus fantasías. La oscilación de estilos históricos del arte regional es también la sucesión de apuestas por usar el deseo y la identidad como aparatos secretos de la dominación. 
                                                                                                                                                                                                                      Since 1990, the work of the Venezuelan artist Alexander Apóstol has revealed the different codes of gender, race and identity that accompany the ideologies of Latin America, incorporating the colorful, optimistic imaginary of modernization as well as the catalog of corporeal, sexualized fantasies of the continent's nationalisms and populisms. His work oscillates between Venezuela's dichotomous traditional visuals. With the help of that skeptical exteriority provided by the homosexual perspective, Apostol's art reveals the coordinated manner in which artistic representation is an accomplice and auxiliary of the modern nation-state's production of the imaginary, which depends on sexualization to give form to its fantasies. The oscillation between historical styles of regional art is also a succession of proposals for using desire and identity as secret mechanisms of domination.
    [meta_keyword] => Alexander Apóstol. Postura y geometría en la era de la autocracia tropical/ Alexander Apóstol., Artes visuales, Dirección General de Artes Visuales
    [author_bio] => 
Apóstol, Alexander, (autor)
Medina Cuauhtémoc, (autor)
Neuhouser, Julianna, (traductora)

    [toc] => Puestas en escena 6 
Mise-en-Scénes 52 
Cuauhtémoc Medina 
Régimen: Dramatis personae 65 
Regime: Dramatis Personae 
2017-2018 
Semblanza 83 
Biographical Sketch 
Catálogo 84 
Catalog 
Créditos 85 
Credits
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