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    [description] => La intersección entre sonido, espacio y política caracteriza la investigación y la producción artística de Lawrence Abu Hamdan. Sus obras cuestionan la dimensión política de la voz y la escucha con el objetivo de captar lo que existe más allá del sonido mismo. Autodefinido como oído privado, Abu Hamdan utiliza el sonido como testimonio y evidencia política. Para él, "la propagación del sonido supone el modo más adecuado de considerar todas las formas de atravesar fronteras, ya sean materiales, interpersonales, arquitectónicas, jurídicas, disciplinarias, biológicas, sensoriales o conceptuales".
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    [short_description] => La intersección entre sonido, espacio y política caracteriza la investigación y la producción artística de Lawrence Abu Hamdan. Sus obras cuestionan la dimensión política de la voz y la escucha con el objetivo de captar lo que existe más allá del sonido mismo. Autodefinido como oído privado, Abu Hamdan utiliza el sonido como testimonio y evidencia política. Para él, "la propagación del sonido supone el modo más adecuado de considerar todas las formas de atravesar fronteras, ya sean materiales, interpersonales, arquitectónicas, jurídicas, disciplinarias, biológicas, sensoriales o conceptuales".
-
The intersection between sound, space and politics characterizes the investi-gations and artistic production of Lawrence Abu Hamdan. His works question the political dimension of voice and listening, capturing what exists beyond sound itself. Defining himself as a private ear, Abu Hamdan uses sound as testimony and political evidence. For him, "the propagation of sound is the most expedient way to consider all forms of border-crossing, be they material, interpersonal, architectural, juridical, disciplinary, biological, sensorial or conceptual."
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Roy Luzarraga, Virginia
Weizman, Eyal

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